Saturday, January 15, 2011

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Source After the fact you know a little better

The collective imagination predilection for stories that deal with the border between the world of dreams and reality. Plato, Calderón de la Barca and Lewis Carroll, literature, and Mateo Gil and the Wachowski brothers in the film are just some of the many authors who could not resist digging into this issue. And, even for a short time, we've all experienced a time in our lives where our fantasy blended with reality around us, and we knew if we went to grandma's house on foot, on horseback or on a rocket. Christopher Nolan's film ( The Dark Knight, The Prestige ) is simply intended move for a little less than two hours in this place tucked in a corner of our memory.


Source not cause a radical change in your way of seeing the world nor remove your conscience. The only aim of this work is to immerse yourself in a fantasy full of action and overlapping hot spots to kick final. Gone are the radical experiments script for the director of Memento (2000). In this film, Nolan, who also signs the script in this film, you want to drop all the way into the rabbit hole without being frightened by the forms.

The cast included the interpretation of Di Caprio Cobb Dom giving life to that, while not up to his work in The Departed or Catch Me If You Can , maintains the kind with the pop Ellen Page (Ariadne, on tape), which we shot to fame with Juno and holding the thread of sanity Cobb. Also, Tom Hardy (Eames), Michael Cane (Miles), Marion Cotillard (Mal), Ken Watanabe (Saito), Joseph Gordon-Levitt (Arthur) and Dileep Rao (Yusuf); clothed Di Caprio's character in his career by introduce an idea in the depths of the Millionaire Mind Maurice Fischer (Cillian Murphy) without realize it.

mention deserves the script, which is presented as the true protagonist. Nolan manages to make use of their own history to make sense of an exciting end to the millimeter yarn (you can not imagine to what extent) so that everything fits into the rules of their game. After enjoying the climax of Origin , the prince mounted parallel running to the rescue of his beloved in danger seems incapable of returning a resource to thrill.

Ultimately, the director manages to create an atmosphere free of formal ties playing with reality at will. We viewers, all you have to do is get carried away by that idea, rooted in the depths of our mind, it whispers ... "Enjoy the show."

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